You could’ve waited an extra day and make that years 2 + lateA year+ late on my reply...Another aspect of BW comping is that Operators can be freely applied to the top take at the individual comp parts level. That's quite unique and powerful.Bitwig is not the best for audio comping, but what I do like about it is that the comping is clip based, not track based. That means I can do audio comping directly in the Clip Launcher. Also, it is convenient cause I can record a clip with a bunch of takes, save that clip, and it saves with all the takes. This also allows me to do stuff like make a loop with a number of variations as takes and save just the one clip and always have the variations with it. So it is a useful tool beyond the classic comping concept.
I use Bitwig's Audio Comping more for creative audio work than the classic vocal or instrumental takes.
I can take any audio clip, drag in whatever audio files I want as takes, and cut it all together. As you point out, each individual event can use the Operators, can be slip edited, stretched, pitched, panned, the comp itself can be added as a take lane and one can keep going, making more comp variations.
Statistics: Posted by liquidsound — Thu Jan 02, 2025 8:33 pm